Origin of Bharatanatyam
The Gods & Godesses pleaded Lord Brahma
to create another veda which would be simple for the common man to understand. It is believed that considering this request
Lord Brahma created the Panchamaveda, Fifth veda, Natyaveda, an essence of the other four vedas. It is believed that he has
taken pathya (words) form the Rigveda, abhinaya (gesture) from the Yajurveda, geet (music and chant) from Samaveda and rasa
(sentiment and emotional element) from Atharvaveda to form the fifth veda, Natyaveda.
After creating this natyaveda,
Lord Brahma gave the same to sage Bharata and asked him to popularise this veda on earth. Following the words of Lord Brahma,
sage Bharata wrote Natyashastra or the Science of Dramaturgy, a great, comprehensive work on the science and technique of
Indian drama, dance and music.Bharatanatyam might have got its name from sage Bharata also.The dancers still follow this work
There is also another story which says that Godess Parvathi tought this dance form to Usha, daughter of
Banasura, a demon. Usha taught the same to the Gopikas of the city of Dwaraka, Lord Krishna's birth place. Thus the divine
dance form Bharatanatyam was introduced to the mankind.
In Indian mythology,Lord Shiva is considered as the supreme
lord of dance. This divine art form is performed by Lord Shiva & his wife Goddess Parvathi. The Dance performd by Lord
Shiva is known as Tandava, which depicts his violent nature as the distructor of the universe. The tandava performed with
joy is called Ananda Tandava and performed in violent mood is called Rudra Tandava. There are 7 types of Tandava. Namely Ananda
Tandava, Tripura Tandava, Sandhya Tandava, Samara Tandava, Kaali tandava, Uma Tandava and Gauri Tandava. There are few people
who believa that there are 16 types of Tandava. Tandava has vigourous, brisk movements.The dance performed by Goddess Parvathi
is known as Lasya, in which the movements are gentle, graceful and sometimes erotic also. Some scholars call Lasya as the
feminine version of Tandava. Lasya has 2 kinds. Jarita Lasya and Yauvaka Lasya.
The art form has definitely gone through
lot of changes over the years. In olden days it was performed mostly by female artists. They were called Devadasis, who would
perform in the temples. These devadasis were accomplished artists who would sing, dance, play many instruments. They were
well worsed in sanskrit & other languages which helped them to interpret compositions which they would perform. But this
tradition came to an end as the devadasis lost their position in the society.
Then dance entered the royal courts.
Here the artists called Rajanartakis, performed in the courts of kings who gave them shelter.Even these were accomplished
artists like devadasis.
The next well-documented period of dance history is far more recent. In the first half of
the 19th century the dance tradition was revitalized and defined anew through the contributions of four talented brothers
(known today as the Tanjore Quartet)Chinniah, Sivanandam, Ponniah and Vadivelu. By coordinating their diverse talents, the
four managed to organize all the basic dance movements of pure dance into a progressive series of lessons [adavu chapters].
Each adavu (basic unit of motion) was taught in systematic order and then combined with others to produce choreographed sequences
based upon the rhythmic contour of a musical composition (Krishnamoorthy Pillai). In addition the brothers composed new music
specifically for the dance, and introduced a different sequence of items which integrated the various aspects of dance and
music into a carefully coordinated, aesthetically sound progression. This infusion of creative energy marks the early 19th
century as one of the most innovative periods in the history of Indian dance.
The contribution of Udayshankar, Rukminidevi
Arundale and Balasaraswathi, in the 20th century, cannot be forgotten at this juncture.
Even though Bharatanatyam
has gone through lot of changes, it still has its roots deep into the religious and rich mythological heritage of India. In
the modern day scenario it is performed by both male & female artists. Many learn as a hobby and few make it as a profession.
Whether taken as a hobby or a profession it certainly needs lot of practice,concentration and dedication.
(Disclaimer: I didn't write this, and I've forgotten who did, if you recognise this article please let me
know, so that I may cite it.)